Fight Songs
Joe Carey
Soulful guitar-driven roots rock songs that boast pride of community and carry a pro-democracy, anti-authoritarian message. For fans of Neil Young, Bob Dylan, and Bruce Springsteen.
After nearly 25 years of trying to carve a niche into Minnesota’s music scene, singer-songwriter Joe Carey was all but ready to hang it up. It had been seven years since his last full album release and he had resigned himself to a once-a-month solo gig at a local Irish pub. But in late 2025 and into 2026, as headlines grew closer to home, Carey - never one to shy away from politics - felt the urge to speak up through song. The motivation bore a batch of new tracks that he wanted to lay down as quickly as possible to capture the emotion of the moment. So he enlisted the help of Nick Salisbury (Ryan Bingham, Brian Fallon, The Dollys) on bass and Noah Levy (The Honeydews, Brian Setzer, Soul Asylum) on drums and the trio began jamming out tunes one by one. The goal was to capture a “live band” feel without the frills of lush overdubs or polished production, taking a “what would Neil Young do” approach throughout the endeavor. Eventually Noah’s son Isaac Levy would lend his lead and slide guitar talents on a few numbers and, before long, they had a six-song EP.
Fight Songs is a direct response to the pattern of tumultuous events that occurred in and around Minneapolis in winter of 2026. It opens with My Minnesota Song — a guitar-heavy rock anthem paying homage to Carey’s home state and the resolve of its people. The song touts geographical and historical references as well as subtle nods to Minnesota’s pro sports teams, and of course…Prince.
The likewise high-energy Song That Never Was is a “hypothetical” breaking of the fourth wall where Carey explains that if he were to write a song addressing a totalitarian regime, “it might go something like this”.
Splintered Path, carrying a more folky Dylan-esque tone, is about bidding farewell to those with whom we can no longer see eye to eye, while Fight Song and Whiskey Neat take jabs at the masked federal agents who wreaked havoc on entire communities.
All in all, Fight Songs boasts a roots rock vibe with raw vocals atop a solid foundation of straight ahead rhythms and robust guitars while at times showcasing folky finger-picking, bluesy riffs, country twang, and Irish grit. Asked if these songs are lyrically divisive, Carey states, “This is so far beyond left vs. right politics…it’s about human decency. And these are just one old fella’s observations.” That sentiment is portrayed in the EP’s closing track Old Has Been, a slowpoke end-of-the-evening cowboy song where Carey metaphorically, having said all he has to say, climbs up onto an old mule and hobbles off into the sunset…cue the tumbleweed.
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My Minnesota Song 4:030:00/4:03
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Song That Never Was 3:400:00/3:40
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Splintered Path 4:230:00/4:23
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Fight Song 3:130:00/3:13
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Whiskey Neat 4:160:00/4:16
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Old Has Been 5:180:00/5:18